CONGRATULATIONS, a great pics.
One of my personal favorite pictures. Taken in Cambodia 2010. It’s an image I just keep returning to, reprocessing, looking at and printing. The eyes just draw you in I feel…
Do you have an image you keep returning to ??
Once you’ve taken photos with your digital camera, you need to store them somewhere. You could always leave them on the memory card, but that would get rather expensive, so lets explore a few other options.
1. Transfer your images onto your computer. Most cameras come with a wire to connect your camera to your computer, a CD with a downloading program and an instruction booklet. Transferring the images is fast and simple. Once they are on the computer, you can delete the images from your memory card and start taking more photos.
2. Burn your images onto a CD. If you have a CD burner on your computer, you can make photo discs to store or share with others. When it comes to pictures, it is often best to use a CD that can’t be written over. This will save the heartache of losing precious photos. Label the CD and store it where it can be gotten easily when you need to see your pictures.
3. Store your images on a public web site. There are many photo-hosting sites on the internet. Some charge for the service, but many are completely free. You have the choice to password-protect your images or share them with the world. This option helps if your computer should crash. Your pictures are safe.
4. Use external hard drives, they are very cheap now and very reliable.
5. Print your images and place them in a photo album. Many people still like turning the pages of a photo album and reviewing the memories. This also makes it possible for those without a computer to view your pictures.
5. Create a photo gift. There are places out there that will take your digital image and place in on shirts, mouse pads, cups, calendars and numerous other items. These make wonderful gifts and provide a way to keep a cherished picture near at all times.
The images you take are irreplaceable so it is advisable to keep multiple copies of the RAW files of important images in separate places if you are serious about your photography.
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Street photography is an approach to photography rather than a location, although the streets are the usual place that it happens.
”When I saw the photograph of Munkacsi of the black kids running in a wave I couldn’t believe such a thing could be caught with the camera. I said damn it, I took my camera and went out into the street.” Henri Cartier-Bresson
Alternatively it is refered to as no rules photography. The plethora of equipment (tripods, lenses,filters,lights etc) associated with ”serious” photography is left at home, or better still in the camera store. It’s just too heavy and bulky to cart around, takes way too long to set up and by the time it is set up the moment is gone.
Street photography is shooting from the hip.
Likewise the rules of photograph, the f stops, the shutter speeds, the rule of thirds etc are left in their dust jackets on Amazon shelves. By the time all the technical considerations are taken into account, the birdy is in another country.
Thank Canon, Nikon, Fuji et al for point & shoots.
It is just the camera and the photographer with their enthusiasm, intuition and open mind.
Street photography can be and often is: Out of focus; a tilted horizon; a soft focus.
Street photographers are optimists, for them the glass is always half full. They go out on a photo shoot with no plan in mind secure in the knowledge that this wide world of ours will provide. A subject, a situation, a scene will present itself all they must have is the presence of mind to capture it when it does.
Street photography can be and often is: Odd things in the foreground; no central focus; odd crops.
Street photographers see the usual, the every day with fresh eyes. The reflection in a rain puddle, the colours in a crowd, the balance of a negative space. Their minds are open to all the stimuli that they see and they curse the days when they leave their camera at home.
Street photography can be and often is: very busy; a tilted perspective; upside down.
Street photographers are not only on the streets, they are at weddings,school concerts, next to you on the train. They look a lot like tourists, its their favourite cover but they are one without the big flash. It was left at home, the available light will do.
Street photography can be and often is: under exposed; blurred; suffering from vertigo.
Street photography is, what all photography is, a snap shot.
What shines through is the photographer, his/her interpretation of the scene, what they see in the situation, their reaction to the stimuli, the art they see in the every day.
Technicians take technically correct and often pretty pictures.
Visual artists, whatever their medium, create images that stimulate the mind, the heart and validate the human condition in all its guises. Because, after all, pretty is in the eye of the beholder and consequently very subjective, whereas art speaks to all who are prepared to listen.
Keep an eye on the weather
Weather conditions can play a big part in setting the mood of your shot. Rather than waiting for the bright light of the midday sun, a misty morning in a forest can be the perfect time of day for that mood-shot.
Take your time to choose the subject
Take your time to choose the subject, then spend time walking around the subject looking for the best angle and lighting.
Take your time to set up the shot
Don’t be afraid to take your time to set up your shot. Although it can get a bit frustrating if you have your loved ones tagging along and they’re sitting and waiting impatiently for 20 minutes for you to take a single shot of a piece of driftwood on the beach!
Don’t always choose brightly coloured subjects
Subjects with muted colours can sometimes produce excellent results. A field of wheat of similar yellow-brown colour can produce striking results when accompanied by a low-sun and long shadows.
If you have a camera that allows you to shoot with a manual shutter speed – try slowing the speed and increasing the F-stop. Then move your camera when taking the shot. Some very effective arty-type images can be produced with blur effects.
Overexpose your subject
Not too good to do all the time, but experiment with results by over-exposing the subject.
Try macro photography
Grab a magnifying glass and see if you can focus your camera through the glass onto a small subject. It just may work! And may open up a whole new range of subjects for you!
Shoot through wet glass
Try spraying water onto a window, then take a shot through the window to a subject outside. (wet the outside of the window – not the inside of your home!)
Try balancing colour by having subject and the surrounding detail in similar colours.
Silhouettes usually have a small range of colours, but can produce some of the most beautiful images. Shooting a silhouette involves having the background brighter than the subject in the foreground.
Experiment with patterns
We’ve all seen those amazing images of the red and orange leaves of maple trees in the fall/autumn. Thousands of leaves – all of a similar shape and colour – but very awe-inspiring and beautiful.
Two strikingly different colours can be beautiful too. Picture an image of your girlfriend or wife in a red dress sitting on a field of green grass. Or your boyfriend or husband in a red shirt walking through a field of waist-high wheat stalks. Complimentary colours that will bring more attention to the subject.
Use a colour filter
If your camera can be fitted with coloured filters – try your hand. Although this effect can be made quite easily these days with photo and image-editing software.
Sunrise is better than sunset
Wake up before sunrise one day and go on a photography expedition. If you’ve not done it before you’ll be pleasantly surprised by the contrasting light and shadows. But remember you’ll only have a very short window of time in which to shoot (usually less than an hour) before the sun rises too high and you lose the light.
Use a flash in daylight
Use your flash during the daytime to fill a close subject with light. This will produce better results where the background is brighter than your subject and the automatic shutter speed on your camera shoots too fast to effectively show the detail of your subject.
As being a photographer for more than half of my life, I stuck with traditional film for very long. About 7 years ago I started to supplement my work with photos taken the digital way. A point and shoot camera with just 640×480 pixel resolution was the most attractive gadget I had these days. Its lens was even capable of doing close-up work, using a macro switch.
That Fuji film DX-7 was upgraded with a bigger Memory-Card and the camera served me well for several years.
Anyway, over time, I was still more satisfied with the possibilities my collection of Pentax SLR cameras gave me. It started with using the best lenses for each picture or just using a Zoom (which offers a range from wide-angle to telephoto), changing the shutter speed to either stop or blur the motion of objects in the picture, use external flashlights, change the aperture openings to adjust the range of sharpness and lots more. Not forgetting the better picture quality I could get from a 35mm negative or slide. I was happy to use my heavy, solid metal camera.
The world changed for me when camera makers like Nikon and Canon introduced their Digital SLR Cameras. I went to my local camera shop every week and debated with the salesman about advantages and disadvantages of the models they had on sale. Also I checked with lots of users in online services to get first hand feedback on how these cameras performed. Finally, when Pentax introduced their Digital SLRs, I couldn’t wait much longer. I needed to have one of those.
With the Pentax 1st DS have a whole list of advantages over smaller Digital Cameras:
I can use the same lenses that fit my traditional camera
Have full control over speed and aperture
I can see the picture immediately after it is taken
I can shoot a series of pictures and choose the best (at no extra cost for film or paper)
A good resolution of 6 Megapixel which allows quite big prints
It weights more than a compact digital camera, so you can hold it steady more easily
Make use of all the filters, flashlights, lenses and accessories I have collected over the years.
Storing the pictures on the PC via a fast USB connection
Up to 1 GB storage on a SD Memory Card (about 380 jpg photos)
Selecting only the best photos for printing
With all these advantages of digital SLR Cameras, you may wonder why I still keep my old 35mm film cameras with me. First, it is emotional, and second, photographing the old fashioned way keeps me calm. You just need more time to produce an excellent, satisfying photograph (because you cannot see the result right after the shot).
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CLICK THE PICTURES FOR INFORMATION AND BEST PRICES